Hoe young people are represented in films Essay Example

Cultivator youngsters are spoken to in films Essay Examine the introduction of youngsters in the new wave films you have contemplated, You ought to allude to A Bout De Souffl㠯⠿â ½ and in any event two different movies in your answer.I will talk about the manners in which that the French new wave executives caused the youthful characters they to have made in there films run over to the crowd and why they have caused the youthful characters to have all the earmarks of being this way. I will identify with Michel and Patricia in Goddards A Bout De Souffl㠯⠿â ½, Antoine in Truffauts Four hundred blows and Charlie In Truffauts The Nouvelle Vague. (Shoot the Pianist).French new wave chiefs have utilized youthful characters in their movies to introduce them in a specific manners. Climate the characters be small kids or youthful grown-ups they are introduced as a bunch, similar to issues to the guardians or more established age In the manner the characters have been determined what to do and the best approach to act.In Goddards A Bout de Souffl㠯⠿â ½ the youthful character Michel and Patricia are both self fixated on themselves in the manner the two of them are continually glancing in the mirrors and just tuning in to themselves and not one another. As I would like to think the character Michel is appeared as though he has a mental issue with the manner in which he converses with himself, the manner in which he isn't settled and is on the run from the police and furthermore he has a missing personality in the film as he is going about as though he is something he isn't. Patricia is demonstrated to be befuddled when she is around Michel, she doesnt know whether she adores him or not. Maybe she is driving him on until she decides on in the event that she needs to be with Michel or not.In Truffauts Four Hundred Blows Antoine is a youthful Truffaut its yielded to be a true to life story of his adolescence. His mom and stepfather yield Antoine as a difficult youngster. All that he does isn't right accordin g to his folks and educators at school. Antoine attempts to do right and be imaginative yet is consistently gets in a difficult situation. He winds up fleeing from home and the confinement community. To the city of Paris. This shows Paris resembles a mother to Antoine. Each lady in Antoines life appears not to think about him. At long last Antoine runs into the sea at the end of the day he is running back to where he originated from. (Where life started)In Truffauts shoot the piano player the youthful character Charlie is introduced as a capable musician and has enormous dreams to get one of Pariss best musician however won't follow his fantasies. What's more, rather works in a little French bistro. He appears to have somewhat of a mental issue with the entirety of his fantasies and musings however will do nothing about what he wants.In Goddards Bande a section (the untouchables) the title of the film parts with it that the characters who are youthful are outcasts who don't fit in w ith the others in there network or with Paris. Odile lives with her auntie who doesn't appear to think about Odile just herself. When Odile meets Franz and Arthur she accepts that they are her two companions when truly they just need to be with her for her uncles cash and, as she is a lovely looking young lady. She has no genuine companions so spends time with the two young men who are boneheads. She discovers that they are not her actual companions at long last as one of them hit her when they find they can't take her uncles money.In my sentiment I accept that in all French new wave films that the youthful characters that have been made by the new wave chiefs have all been made to be disturbed and undesirable by the more seasoned age they have contact with. A decent name for this is the untouchables (Bande a section) they don't fit in with the remainder of the networks. None of the youthful characters in the new wave films appear to have a mindful family around them and that help t hem they all appear to be supposed companions or in Antoines circumstance has guardians yet his folks consistently appear to discuss lamenting having him and that they ought to have prematurely ended him.

HSA 515 Dealing with Fraud Essay Example for Free

HSA 515 Dealing with Fraud Essay As the Chief Nursing Officer of the state’s biggest Obstetric Health Care Center, this creator is answerable for grumblings in regards to deceitful conduct in the middle. The motivation behind this report is to (1) assess how the Healthcare Qui cap influences social insurance associations, (2) give four instances of Qui Tam cases that exist in an assortment of human services associations, (3) devise a technique for entrance into a medicinal services office that maintains the law about the necessary number of Medicare and Medicaid referrals, (4) suggest a corporate uprightness program that will relieve occurrences of misrepresentation and evaluate how the proposal will affect issues of multiplication and birth, and (5) Devise an arrangement to secure patient data that agrees to every fundamental law. Qui Tam (from the Latin expression â€Å"he who sues for the benefit of the king†) is a notable system utilized by private individual to help the legislature in authorizing explicit laws (Ruhnka, Gac, Boerstler, 2000). The False Claims Act of 1863 is one of the most significant instances of the Qui Tam system that was authorized during the Civil War to indict war profiteers who were found cheating the Union Army (Ruhnka, Gac, Boerstler, 2000). Showalter (2012) states that the informant (otherwise known as relator) records the suit as a sort of â€Å"private lawyer general† for the administration in a qui hat case. Assess how the Healthcare Qui cap influences medicinal services associations. Human services qui cap influences social insurance associations from multiple points of view. The most well known and awkward way is monetary misfortunes. On the off chance that an association is blamed for qui cap, a suit is documented and if the organization is seen as blameworthy of extortion, they remain to acquire a budgetary misfortune due to reimbursing cash to the administration. Ruhnka, Gac, Boerstler (2000) express that deliberately false exercises, for example, charging for administrations not gave, charging for administrations or hardware that isn't restoratively proper, or disregarding obviously expressed charging rules are inadmissible and ought to be indicted at whatever point they happen. Qui cap impact on human services associations has not been a positive one. Voyage (2003) express that qui cap activities has constrained associations to build up another unit of working rules and systems altogether called â€Å"compliance programs† bringing about associations paying $600 †700 million every year to a specialist industry to instruct them on the complexities regarding this new time. Human services associations have received Federal Sentencing Guidelines as a piece of their consistence programs because of the laws administering Medicare misrepresentation and misuse (Cruise, 2003). Instances of Qui Tam cases that exist in an assortment of human services associations. Medicinal services is on the ascent in the United States. Medicare and Medicaid is the biggest of the legislature supported medicinal services designs and give social insurance inclusion to upwards of 95 million Americans, at an expected expense in 2012 of more than $900 billion (Raspanti, n.d.). Raspanti (n.d.) express that the essential explanation behind the ascent in medicinal services cost has been the enormous level of extortion submitted against these two significant government social insurance programs. Raspanti (n.d.) express coming up next are instances of qui hat cases, yet not restricted to: â€Å"Kickbacks: The administrative Anti-Kickback Statute forbids any offer, installment, requesting or receipt of cash, property or compensation to initiate or prize the referral of patients or human services administrations payable by an administration medicinal services program, including Medicare or Medicaid. These ill-advised installments can come in a wide range of structures, including, yet not constrained to: referral charges; finder’s expenses; efficiency rewards; limited leases; limited gear rentals; inquire about awards; speaker’s expenses; extreme remuneration; and free or limited travel or diversion. Theâ offer, installment, requesting or receipt of any such monies or compensation can be an infringement of the Federal Anti-Kickback rule, 42 U.S.C.  §1328-7b(b), the Federal False Claims Act, just as different other government and state laws and guidelines. Phantom Patients: The accommodation of a case for social insurance administrations, medicines, indicative tests, clinical gadgets or pharmaceuticals gave to a patient who either doesn't exist or who never got the administration or thing charged for in the case. Up-Coding Services: Billing of government and private protection programs is finished utilizing an intricate arrangement of numerical codes that recognize the particular method or administration being performed. These code sets can include: the American Medical Association’s Current Procedural Terminology (â€Å"CPT†) codes; Evaluation and Management (â€Å"EM†) codes; Healthcare Common Procedure Coding System (â€Å"HCPCS†) codes; and International Classification of Disease (â€Å"ICD-9†) codes. Government social insurance programs relegate a dollar sum it will pay for every technique code. Up coding happens when a social insurance supplier submits of a case for medicinal services administrations, medications, analytic tests or things that speak to a more genuine and more costly system than that which really was performed. Up coding can be an infringement of the Federal False Claims Act. Packaging and Unbundling: In numerous cases, government social insurance programs have unique repayment rates for gatherings of methodology that are normally performed together, for example, research facility tests. One normal sort of misrepresentation has been to â€Å"unbundle† these systems or tests and bill every one independently, which brings about more prominent repayment than the gathering repayment rate. Lawyers in the national qui hat informant practice of Pietragallo Gordon Alfano Bosick Raspanti effectively spoke to the lead relator in probably the biggest instance of â€Å"unbundling† throughout the entire existence of bogus cases prosecution, United States ex rel. Merena v. Smithkline Beecham Clinical Labs, which brought about a recuperation of $328 million for government citizens. Bogus Certification: When doctors, emergency clinics and other social insurance suppliers submit bills to government human services programs they are required to incorporate various significant confirmations, including that the administrations were therapeutically fundamental, were really performed, and were acted as per every single material principle and guidelines. Furthermore, medicinal services organizations, for example, pharmaceutical organizations and drug store benefits supervisors that give items or administrations to governmentâ health care programs are required to confirm that they are fulfilling all commitments under their agreements with the legislature. One basic sort of misrepresentation has been to adulterate these confirmations so as to get a medicinal services guarantee paid or to get extra business† (Raspanti, n.d.). Stanton (2001) recognizes that in a social insurance office, with Medicare, each bogus case is viewed as an individual charging whether for a particular clinical thing or administration. Punishments can rise rapidly with suspension or postpone installment of future cases for an office in the event that it has been blamed for submitting bogus cases (Stanton, 2001). Devise a system for induction into a social insurance office that maintains the law about the necessary number of Medicare and Medicaid referrals. So as to maintain a strategic distance from medicinal services qui hat, social insurance associations must remain side by side and agreeable with Medicare and Medicaid laws. At the point when a patient enters an office for ailment or an arrangement, there are steps to follow. At registration, the patient gives protection card and relevant data to nurture. The medical caretaker enters the data into the framework. The patient trusts that the specialist will survey the ailment to decide the necessities of the patient. â€Å"Physician inputs data into the framework and framework codes the treatment dependent on Medicare or Medicaid conventions; framework affirms and warnings any treatment or prescription that isn't permitted; persistent is released and Medicare or Medicaid is charged for administrations rendered by the emergency clinic, doctor, and for medication† (Burnaby, Hass, O’Reilly, 2011). In the event that for reasons unknown, things charged are addressed or denied, the things are checked on and resubmitted to Medicare or Medicaid for installment. Suggest a corporate trustworthiness program that will alleviate episodes of misrepresentation and survey how the proposal will affect issues of proliferation and birth. Corporate Integrity Agreements (CIAs) are viewed as fresh opportunities for medicinal services associations. By utilizing CIAs, the association maintains a strategic distance from avoidance from Medicare, Medicaid, or other Federal human services programs by setting up and actualizing a consistence program for every CIA guidelines and rules (MetricStream, n.d.). Executing CIAs is testing and can cause money related strain; anyway it can â€Å"protect partners and clients from hazard, and construct brand value† (MetricStream, n.d.) CIAs are implementedâ for medicinal services associations to maintain certain guidelines and to satisfy the organizations’ missions and objectives. CIAs are generally proposed because of charges of misrepresentation or misuse which are seen as obvious through reviews or self-exposures; and are drawn up for a time of three to five years and can stretch out as long as eight years (MetricStream, n.d.). Ramsey (2002) proposes that a suggested trustworthiness program ought to incorporate specifications, for example, â€Å"designation of a consistence official and a consistence committee† †to guarantee that the required changes will be made; â€Å"a required set of principles, commanded consistence arrangements and procedures† †expressing that the association is focused on consenting to the laws; â€Å"training requirements† †to guarantee that staff and doctors are proficient and state-of-the-art on all necessities and procedures required by the association, the legislature and merchants; â€Å"review

Must-Read Black Feminist Literature

Must-Read Black Feminist Literature Lets pay homage to the pioneering black women who were magical before the inspiration of the hashtag, and to those among us today whose sharp use of words continue to illuminate and provoke. Here are a few texts (merely a drop in the bucket) of black feminist literature to ponder for International Womens Day. If you dont see your favorite here, share it! Aint I A Woman: Black Women and Feminism by bell hooks This groundbreaking, classic, required reading for feminists, regardless of race, yet uniquely speaking to the black woman experience this book sits at the top of the Black Feminist Literature list. We Should All Be Feminists by Chimamanda Ngozi Adichie Adichie is inarguably one of the greatest minds and voices of our time. This book, a printed version of a TED Talk speech Adichie delivered is as concise as it is necessary. It has received due praise, been sampled on a  Beyoncé  single, and remains a fixture on any reputable feminist lit syllabus. If you havent read this by now, you are out of excuses read it today. The Light of Truth: Writings of an Anti-Lynching Crusader by Ida B. Wells Ms. Wells may not have called herself a feminist, but her stance against violence, her pursuit of truth, and her unwavering ability to use journalism and activism to combat racism and sexism places her amongst the great feminists of history. She was a suffragist as well as fighting to end violence against African Americans her writing, written in the early 1900s is still relevant today. Sister Citizen: Shame, Stereotypes, and Black Women in America  by Melissa Harris Perry  Perry provides an in-depth analysis into the complexities and nuances of how black women see themselves juxtaposed with how they are seen in society. Using literature and political theory, Perry has created a monumental must read work. You Cant Touch My Hair: And Other Things I Still Have to Explain by Phoebe Robinson Comedian, actress, feminist, and writer gives an insightful and hilarious portrait of a young black womans journey today. Bad Feminist: Essays by Roxane Gay This collection of essays explores the tumultuous relationship Gay has with the term feminist as well as what the word may or may not imply. She examines race, sexuality, and popular culture with wit and candor, and shares deeply personal experiences and how they inform her beliefs. The Women of Brewster Place by Gloria Naylor This work of fiction is about strong women who are the pillars of a dilapidated housing development. Surviving and thriving together, the women both heal and hurt one another as they navigate the throws of urban life. Redefining Realness: My Path to Womanhood, Identity, Love So Much More by Janet Mock This haunting and inspiring memoir is a must read. Mock, an author, advocate, and TV host, describes her experiences as a transgender  black woman  dealing with harsh socioeconomic realities, abuse, and family dysfunction. Mock examines gender, homophobia, race, and class in this necessary read. What are your recommendations for black feminist literature? This post is part of our International Women’s Day celebration. See all the posts here. Also In This Story Stream To Reach The Farthest Sea Double Erasure: Latin American Women Writers 5 Books by Queer Women Books for the Jewish Feminist 5 Latin American Women Authors to Read Right Now Welcome to International Womens Day 2017 at Book Riot Romance Without Feminism is No Longer an Option Flaunt Your Lady Love, Book Fetish Style Feminist Middle Grade Books Madonna and the Madwoman: On the Women of Jose Rizals Classic Noli Me Tangere 5 Women of Color Who Are Changing The World For The Better Fiction That Breaks Sexist and Racist Stereotypes On Writing as a Woman 4 French Feminist Writers Celebrating Women View all international women's day 2017 posts-->

The, A Strange Or Horrible Imaginary Creature - 873 Words

â€Å"Definitions belong to the definers, not the defined.† -Toni Morrison. We, as humans, feel the need to label things. That label might be good or it might be bad. Regardless of whether it is good or bad, can it change? Throughout history, words have changed meanings. This happens when cultures meet or when a culture changes. The meaning of a word can even vary from place to place. What about connotations? Can a word still keep it’s meaning if how we perceive that meaning changes? The Merriam-Webster dictionary defines the word monster as, â€Å"a strange or horrible imaginary creature.† Today’s definition of monster fails to really capture how we see monsters. In our society, when one hears the words monster, it fails to invoke the same kind†¦show more content†¦Whatever definition is used, whether today’s cartoonish approach or the pagan’s lighter view, it remains far from the classic witch. Both are far less dark, and far les s terrible, and far more marketable, than that of the past. Witches are not the only ones who have had their reputation tarnished for advertising purposes. In today’s culture,the word vampire provokes a very different response than it might have in the past. In Keiley Culbertson’s Evolution of the Vampire, she compares Bram Stoker’s Dracula to Stephenie Meyer’s Twilight,saying that Dracula is described as, â€Å"super creepy looking and a foreboding feeling of evil seemed to permeate his being. Count Dracula is purely wicked with not a drop of humanity. He is a monster who destroys families by feeding upon children in order to satisfy his craving for human blood,† while the vampires in Twilight, â€Å"participate in society and are not frightening to the rest of the world as Dracula had been.† This belief is shed by many. The vampires in Twilight were simply lacking in the fear department. They were more humanized than most vampires were in the past. The overwhelmingly positive response that Twil ight got inspired both authors and tv producers to take to this new definition of monster. The previous definition of vampires was only sellable to a select few. Twilight was read by most teenage girls and their mothers, along with plenty ofShow MoreRelatedThe Terrible Old Man828 Words   |  4 Pagesbe able to die. The Terrible Old Man is a short story by H. P. Lovecraft, written on January 28, 1920, and first published in the Tryout, an amateur press publication, in July 1921. Its notable as the first story to make use of Lovecrafts imaginary New England setting, introducing the fictional town of Kingsport. The story is of an old man who at one point was a sailor but he is now a feeble old man. He is an old man, whom some say is so old, no one can remember him when he was young. 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In fifth grade, girls are annoying. They whine and talk all the time. They don’t know how to kick a ball. And always say that boys stink. I don’t stink—they do. They smell like flowers and perfume and other horrible stuff. I was lucky only to have one little sister. And believe me, she’s more than enough for anybody. Still†¦ I couldn’t help but look up at her. Her thin smile. Her green eyes. Her button nose. Her– WHACK. The door swung open and nailed me in theRead MoreShort Story Chapter 19753 Words   |  40 Pagesgoods directly. Guards granted supplication if the commoners needed provisions beyond their rations. Apparently, wards came under the same restrictions. Her father was smart to demand it. Lorne Granich should be watched. â€Å"It has always struck me as strange you have permission to go to town.† His words were lazy. â€Å"One might think your father favored you over other women.† â€Å"I am not other women. I am his daughter.† â€Å"And yet, I have not met the daughters of any other lord. Once, I recognized my sister

The Rosie Project Book Club Discussion Questions

In some ways, by Graeme Simsion is a light, fun read for book clubs that need a break from heavy books. Simsion does, however, give groups plenty to discuss about Asperger syndrome, love, and relationships. Hopefully, these questions will help you have fun discussing the book. Spoiler Warning: These questions contain details from the end of the novel. Finish the book before reading on. Discussion Questions Dons character is both more aware of some dynamics (social, genetic, etc) and also very oblivious to some of these. Take, for instance, when he is giving the lecture on Asperger syndrome and he says, A woman at the rear of the room raised her hand. I was focused on the argument now and made a minor social error, which I quickly corrected.The fat woman— ​an overweight woman—at the back? (10)What are some other examples of this kind of behavior that you remember from the novel? How did this add humor?The reader is supposed to understand that Don has Asperger syndrome. If you know anyone with this diagnosis, did you think it was an accurate portrayal?There were several times in the novel when Don misses the social rules, but the case he makes for his side is very logical. One example is the Jacket incident (43) when he does not understand that jacket required means suit jacket and tries to argue all the ways his Gore-tex jacket is superior. Did you find this, and ot her times like it, amusing? What were some of your favorite scenes? Did hearing his perspective make you rethink social conventions? (Or consider using the standardized meal plan?)Why do you think Don is so drawn to Rosie? Why do you think Rosie is drawn to Don?At one point, Don says about one of the father candidates, Apparently he had been an oncologist but had not detected the cancer in himself, a not-uncommon scenario. Humans often fail to see what is close to them and obvious to others (82). How does this statement, about people failing to see what is in front of them, apply to the different characters in the novel?Why do you think Don was so successful at selling cocktails? Did you enjoy this scene?The novel mentions that Don struggled with depression in his early twenties and also talked about his strained relationship with his family. How did he cope with these issues? Are he and Rosie similar in the ways they deal with hard parts of their past?What did you think of Gene and Claudias relationship? Was Genes behavior humorous or frustrating to you?Did you think it was believable in the end that Don would be able to see from the Deans perspective, the perspective of the student who cheated, Claudias perspective, etc? Why or why not?Did you guess who Rosies real father was? Which parts of the Father Project did you like the most (the basement confrontation, the bathroom escape, the trip to the nursing home, etc)?Graeme Simsion published a sequel to The Rosie Project in December 2014—The Rosie Effect. Do you think the story could go on? Would you read the sequel?Rate The Rosie Project on a scale of 1 to 5.

The Last Dance Chapter Ten Free Essays

It is Palmer who makes the first contact, toward the end of September. He tells Cynthia on the telephone that he’s had a transatlantic call from Norman Zimmer, who’s producing a musical based on Jenny’s Room, is she familiar with . . We will write a custom essay sample on The Last Dance Chapter Ten or any similar topic only for you Order Now . ? â€Å"Yes, he’s been in touch,† Cynthia says. â€Å"I hate to bother you this way,† he says, â€Å"but from what I understand, the project may be stalled because of your father’s intransigence.† â€Å"Yes, I know.† â€Å"It does seem a shame, doesn’t it?† he says. â€Å"All these people who’d stand to earn a little money.† â€Å"I know,† Cynthia says. â€Å"Couldn’t you talk with him?† â€Å"I have,† she says. â€Å"He won’t budge.† â€Å"It does seem a pity.† â€Å"He’s protecting Jessica, you see.† â€Å"Who’s that?† â€Å"Jessica Miles. The woman who wrote the original play. He feels she wouldn’t have wanted the musical done again.† â€Å"Really? Why’s that?† â€Å"Because it was so awful.† â€Å"Oh, I don’t think so, do youl I’ve read my grandfather’s book, and I’ve also heard the songs. It’s really quite good, you know. Besides, they’re having new songs written, and a new book, and – well, it’s truly a shame. Because I think it has a really good shot, you know. I think we can all become quite rich, actually. If it’s done.† There is a crackling on the line. She tries to visualize London. She has never been there. She imagines chimney pots and cobblestoned streets. She imagines men with soot-stained collars and women in long hour-glass gowns. She imagines Big Ben chiming the hour, regattas on the Thames. She imagines all these things. And imagines going there one day. â€Å"Couldn’t you please talk with him again?† Palmer says. It is she who makes the next call, sometime early in October. He has just come home from work, it is seven o’clock there in London, only two in the afternoon here in America. He tells her he works for â€Å"the last of the publishers in Bedford Square,† a line she surmises he has used often before. In fact, there is something about the way he speaks that makes everything sound studied and prepared, as if he has learned a part and is merely acting it. A lack of spontaneity, she supposes, something that makes whatever he says seem artificial and rehearsed, as if there is nothing of substance behind the words. â€Å"Have you seen him again?† he asks. â€Å"Several times,† she says. â€Å"And?† â€Å"Dead end.† â€Å"Mmm.† â€Å"He won’t listen to reason. He says the play is a sacred trust. . .† â€Å"Nonsense.† â€Å"It’s what he believes.† â€Å"She must have written it in the year dot.† â€Å"Nineteen twenty-three.† â€Å"Norman tells me it’s bloody awful.† â€Å"My father thinks it’s simply wonderful.† â€Å"Well, as the old maid said when she kissed the cow . . .† â€Å"It’s a shame this had to come along just now, though. The opportunity, I mean. To have the musical revived.† â€Å"How do you mean?† â€Å"Well †¦ ten years from now would have been so much better.† â€Å"I don’t under . . .† â€Å"Never mind, I shouldn’t have said that.† â€Å"I’m sorry, I still don’t . . .† â€Å"It’s just . . . my father isn’t in the best of health, you see.† â€Å"That’s too bad.† â€Å"And 7 certainly don’t have the same problems he has.† â€Å"Problems? What . . . ?† â€Å"With the play. With it being done as a musical. I have no emotional ties to Jessica Miles, you see. I never even met the woman. What I’m saying is I don’t give a damn about her play. In fact, I’d love to see the musical revived.† â€Å"But what’s ten years from now got to †¦ ?† â€Å"My father’s leaving the rights to me.† â€Å"Oh?† â€Å"To her play. When he dies. It’s in his will.† â€Å"I see.† â€Å"Yes.† There was a long silence. â€Å"But† she said. â€Å"It isn’t ten years from now, is it?† â€Å"No, it isn’t,† Palmer says. â€Å"It’s now,† she says. â€Å"Yes,† he says. â€Å"So it is.† He calls her again on the eighteenth of October. It is midnight here in America, he tells her it’s five a.m. there in London, but he hasn’t been able to sleep. â€Å"I’ve been thinking a lot about your father,† he says. â€Å"Me, too,† she says. â€Å"It seems such a pity he won’t let go of those rights, doesn’t it? Forgive me, but have you made your position absolutely clear to him? Have you told him your feelings about having this musical done?† â€Å"Oh, yes, a thousand times.† â€Å"I mean †¦ he must realize, don’t you imagine, that the moment he’s passed on †¦ forgive me †¦ you’ll do bloody well what you like with the play. Doesn’t he realize that?† â€Å"I’m sure he does.† â€Å"It does seem unfair, doesn’t it?† â€Å"It does.† â€Å"Especially since he’s in bad health.† â€Å"Two heart attacks.† â€Å"You’d think he’d hand over the play immediately, why wouldn’t he? With his blessings. Here you are, Cynthia, do with it as you wish.† â€Å"His only child,† Cynthia said. â€Å"One would think so.† â€Å"But he won’t.† â€Å"Well, when they get to be a certain age . . .† â€Å"It isn’t that. He’s just a stubborn old fool. Sometimes I wish . . .† She lets the sentence trail. He waits. â€Å"Sometimes I wish he’d die tomorrow,† she says. There is another silence. â€Å"I’m sure you don’t mean that,† he says. â€Å"I suppose not.† â€Å"I’m sure you don’t.† â€Å"But I do,† she says. There is a Jamaican named Charles Colworthy who works in the mail room with Palmer, and he knows another Jamaican named Delroy Lewis, who knows yet another Jamaican named John Bridges, who by all accounts is what they call a â€Å"Yardie,† which Palmer explains is British slang for any young Jamaican male involved in violence and drugs. â€Å"I wouldn’t want him hurt,† Cynthia says at once. â€Å"Of course not.† â€Å"You said violence.† â€Å"He’s assured me it will be painless.† â€Å"You’ve met him?† â€Å"Several times.† â€Å"What’s his name?† â€Å"John Bridges. He’s quite ready to do it for us. If you still want to go ahead with it.† â€Å"I’ve given it a lot of thought.† â€Å"So have I.† â€Å"It does seem the right thing, doesn’t it, Gerry?† â€Å"Yes.† There is a long silence. It all seems to be happening too quickly. â€Å"When . . . when would he do it?† â€Å"Sometime before the end of the month. He’ll need an introduction. You’d have to arrange that.† â€Å"An introduction?† â€Å"To your father.† â€Å"Is he black?† â€Å"Yes. But very light skinned.† â€Å"I don’t know any black people, you see.† â€Å"Very pale eyes,† Palmer says. â€Å"A lovely smile. All you need do is introduce him. He’ll take care of the rest.† â€Å"It’s just that I don’t know any black people.† â€Å"Well . . .† â€Å"I wouldn’t know what to say.† â€Å"Just say he’s a friend of yours from London.† â€Å"I’ve never been to London.† â€Å"A friend of a friend, you could say. Who’ll be there for a few days. Who you wanted your father to meet. Is what you could say.† â€Å"Why would anyone want to meet my father?† â€Å"You could say he once worked in a hospital here. Just as your father did. That would give them something in common. I’ll give you the name of a hospital here in London.† â€Å"I’ve never introduced my father to anyone in my life.† â€Å"It would just be to put him off guard.† â€Å"He’d be suspicious.† â€Å"Just someone you’d like him to meet. A nurse. Just as your father was.† â€Å"He won’t hurt him, will he?† â€Å"No, no, you needn’t worry.† â€Å"When did you say it would be?† â€Å"Well, he’ll come as soon as we authorize it. He’ll want half of his fee beforehand, half after it’s done.† â€Å"How much did he say?† â€Å"Five thousand.† â€Å"Is that a lot?† â€Å"I think it’s reasonable. Dollars, that is. Not pounds.† â€Å"I wouldn’t want him hurt,† she says again. â€Å"No, he won’t be.† â€Å"Well.† â€Å"But I have to let him know.† â€Å"What do you think we should do?† â€Å"I think we should go ahead with it. Twenty-five hundred dollars is a lot of money to me, but I look upon this as a serious investment. . .† â€Å"Yes.† â€Å". . . an opportunity to advance myself. I can’t speak for you, of course . . . but. . .I’ve never really had very much in my life, Cynthia. I work in the post room, I don’t get invited to very many balls at Windsor. If this show is a hit, everything would change for me. My life would become . . . well . . . glamorous.† â€Å"Yes,† she said. â€Å"I think we should do it,† he said. â€Å"I truly do.† â€Å"Well then . . .† â€Å"What I’ll do, if you agree, I’ll give John my half of the fee just before he leaves London, and you can pay him the rest when he’s done it. There in America. Afterward. Would you be happy with that?† â€Å"I guess so.† â€Å"Shall I call him then?† â€Å"Well . . .† â€Å"Tell him we’re going ahead with it?† â€Å"Yes.† Now, sitting in the lieutenant’s office with her lawyer and the detectives, she lowers her eyes and says, â€Å"John was very charming. He and my father hit it off right away. But he caused me a lot of trouble later. Because he said it would look like an accident, and it didn’t.† Gerald Palmer called the British Consulate the moment the cops told him what charges they were bringing against him. The consul who came over was named Geoffrey Holden, a somewhat portly man in his mid-forties, stroking a bristly mustache that made him look like a cavalry colonel. He took off his heavy overcoat and hung it on a corner rack. Under it, he was wearing a somber gray suit with a vest and a bright yellow tie. He told Palmer this was his first DBN of the week, which letters he jovially explained stood for Distressed British National. â€Å"Murder, eh?† he said. â€Å"Who’d you kill?† â€Å"I haven’t killed anyone† Palmer said. â€Å"Don’t be a bloody fool.† â€Å"Let me explain how American law works,† Holden said. â€Å"If you actually hired someone to kill someone else, then you’re as guilty as the person pulling the trigger. Murder for hire is first-degree murder, and the penalty is death by lethal injection. They use Valium. A massive dose that stops the heart. Conspiracy to commit murder is another A-felony. If you did either or both of these things . . .† â€Å"I didn’t.† â€Å"I was about to say you’d be in very deep trouble. If you did these things. Which you say you didn’t.† â€Å"That’s right.† â€Å"Being British is no excuse, by the way. It doesn’t entitle you to immunity.† â€Å"I don’t need immunity. I haven’t done anything.† â€Å"Well, good then. D’you know anyone named John Bridges?† â€Å"No.† â€Å"They seem to think you know him.† â€Å"I don’t.† â€Å"How about a man named Charles Colworthy?† Palmer’s eyes opened wide. â€Å"Supposed to work with you at Martins and Grenville. Good publishers, eh? D’you know him?† Palmer was thinking it over. â€Å"The way they have it,† Holden said, â€Å"Colworthy knows someone named Delroy Lewis, who put you in touch with this Bridges chap to whom you and Cynthia Keating together paid five thousand dollars to kill her father. But that isn’t so, is it?† â€Å"Well, I know Colworthy, yes. But . . .† â€Å"Ah, you do?† â€Å"Yes. We work together in the post room. But I certainly didn’t hire . . .† â€Å"That’s good. I’ll just tell them they’ve made a mistake.† â€Å"Where’d they get those names, anyway?† â€Å"From the woman.† â€Å"What woman?† â€Å"Cynthia Keating,† Holden said, and hooked his thumbs into his vest pockets. â€Å"She’s ratted you out.† Palmer looked at him. â€Å"But if you had nothing to do with this . . .† â€Å"Just a minute. What do you mean? Just because she gave them the name of someone I work with . . .† â€Å"The other man as well. Delroy Lewis. The one leading directly to Bridges. Who killed her father.† â€Å"Well, the only one / know is Charlie. He’s the one I work with. I may have mentioned his name to her. In casual conversation. If so, she must have contacted him on her own.† â€Å"Ah,† Holden said, and nodded. â€Å"To ask if he might know anyone who’d help kill her father, is that it?† â€Å"Well, I †¦ I’m sure I don’t know what she asked him.† , â€Å"Called London to arrange his murder, is that how you see it?† â€Å"I don’t see it any way at all. I’m merely trying to explain . . .† â€Å"Yes, that you, personally, had nothing to do with this.† â€Å"Nothing whatever.† â€Å"So Mrs Keating is lying to them. Has lied to them, in fact. She’s accepted a deal, you see. They’ve dropped the conspiracy charge and lowered the murder charge to second degree. Twenty to life, with a recommendation for parole.† Holden paused. â€Å"They might even offer you the same deal. Then again, perhaps not.† Palmer looked at him. â€Å"Because of the related murder.† Palmer kept looking at him. â€Å"They seem to think you did that one personally. The old lady. Martha Coleridge. I have no idea where she fits into the scheme of things, but apparently she was threatening a plagiarism suit. Do you know the woman I mean?† â€Å"Yes,† Palmer said. â€Å"That would constitute a second count of first-degree murder,† Holden said, and stroked his mustache. â€Å"So I doubt if they’d offer you the same deal, after all.† â€Å"I’m not looking for a deal.† â€Å"Why should you be? You haven’t done anything.† â€Å"That’s right.† â€Å"I’ll just tell them to forget it.† â€Å"Of course. They have no proof.† â€Å"Well, they have the woman’s confession. Which implicates you, of course. And our chaps may get something more from Bridges, if ever they find him. They’re looking for him now, apparently. In Euston. He lives in Euston.† Palmer fell silent again. â€Å"You won’t be granted bail, you realize,† Holden said. â€Å"You’re a foreigner implicated in murder, no one’s going to risk your running. In fact, till the dust settles one way or another, they’ll want your passport.† He sighed heavily, said, â€Å"Well, I’ll see about finding a lawyer for you,† and went to the corner where he’d hung his overcoat. Shrugging into it, buttoning it, his back to Palmer, he said, â€Å"You wouldn’t possibly have anything to †¦ offer them, would you?† â€Å"How do you mean?† Holden turned toward him. â€Å"Well,† he said, â€Å"I must tell you, with the woman’s confession, they have more than enough for an indictment. It’ll go worse for you if they catch up with the Jamaican and flip him as well, but even so they’ve got a quite decent case.† â€Å"But I haven’t done anything.† â€Å"Right. Keep forgetting that. Sorry. Let me talk to them.† He opened the door, hesitated, turned to Palmer again, and said, â€Å"You wouldn’t know anything about this little black girl who got stabbed up in Diamondback, would you?† Palmer merely looked at him. â€Å"Althea Cleary? Because they like to tidy things up, you see. If you can tell them anything about that murder . . . they’re not trying to implicate you in it, by the way, they seem to think the Jamaican did that one all on his own. Got into some sort of argument with the girl, lost his temper. Whatever.† His voice lowered. â€Å"But if he mentioned anything about it to you . . . perhaps before he went back to London †¦ it might be worth a deal, hm?† Palmer said nothing. His voice almost a whisper, Holden said, â€Å"He’s just a Yardie, y’know.† Palme’r sat as still as a stone. â€Å"Well, I suppose not,† Holden said. It suddenly occurred to him that the man was simply very stupid. He sighed again, and went out of the room. In the squadroom, they were speculating about what might have happened to Althea Cleary. â€Å"She takes the Jamaican back to her apartment,† Parker suggested. â€Å"He drops the rope in her drink, figures he’s home free. But while he’s waiting for it to take effect, she casually mentions she’s a working girl and this is gonna cost him two bills. He’s offended because he’s never had to pay for it in his life, male or female. So he stabs her.† â€Å"That’s possible,† Brown said, â€Å"but you’re forgetting something.† â€Å"What’s that?† â€Å"He’s gay.† â€Å"He’s bi.† â€Å"He thinks he’s bi.† â€Å"He wouldn’ta been there if he wasn’t bi,† Parker insisted. â€Å"He gets into the apartment,† Brown said, undaunted, â€Å"drops the pills, and starts moving on her. Trouble is he’s gay. She doesn’t excite him. He can’t perform. So he loses his temper and jukes her.† â€Å"Well, that’s a possibility,† Meyer said, â€Å"but something else could’ve happened, too.† â€Å"What’s that?† â€Å"Bridges drops the pills, right? Five minutes or so, the girl starts feeling funny. She accuses him of having put something in her drink. He panics, grabs a knife from the counter, lets her have it.† â€Å"Yeah, maybe,† Kling said, â€Å"but here’s what / think happened. He gets in the apartment . . .† â€Å"Who’s for pizza?† Parker asked. â€Å"They profile a Yardie as someone who enters the country carrying a forged or stolen British passport,† Carella said. â€Å"Usually – but not necessarily – he’s a black man from Jamaica, somewhere between the ages of eighteen and thirty-five. He’s either got a record already . . .† â€Å"Does Bridges have one?† Byrnes asked. â€Å"Nobody by that name in their files. They said he may be a new kid on the block, there’s a constant flow. Most of them are in the drug trade. Getting rope would’ve been a walk in the park for him.† â€Å"Is he wanted for anything?† â€Å"Not by the Brits. Not so far, anyway.† â€Å"Give him time,† Byrnes said. â€Å"Meanwhile, he’s running around London someplace.† â€Å"Or Manchester.† â€Å"Or wherever. Actually, we don’t need him, Pete. Nellie says the overt act is enough.† â€Å"Conspiracy and the overt act, yes.† â€Å"Which she’s already got.† â€Å"So let the Queen’s mother worry,† Byrnes said. Ollie felt very nervous, like a teenager about to ask for a first date. He dialed the number on the card she’d given him, and let the phone ring three, four, five . . . â€Å"Hello?† â€Å"Miss Hobson?† he said. â€Å"Yes?† â€Å"This is Detective Weeks. We talked about piano lessons, do you remember?† â€Å"No. Detective whoT â€Å"Weeks. Oliver Wendell Weeks. I was investigating the murder of Althea Cleary, do you remember? Big Ollie, they sometimes call me,† he said, which was a lie. â€Å"I wanted to learn five songs, remember?† â€Å"Oh. Yes,† she said. â€Å"I still do.† â€Å"I see,† she said. â€Å"I got a list we can pick from,† he said. â€Å"Did you find him?† â€Å"Who do you mean, Miss Hobson?† â€Å"Whoever killed Althea.† â€Å"He’s in London just now. We’re leaving it to the bobbies there, they’re supposed to be very good. When can we start, Miss Hobson?† â€Å"That depends on which songs you want to learn.† â€Å"Oh, they’re easy ones, don’t worry.† â€Å"That’s so reassuring,† she said drily. â€Å"But which ones are they exactly?† â€Å"Guess,† he said, and grinned into the mouthpiece. They had no idea they were in the middle of a race riot until it was full upon them. Until that moment, they’d been peacefully watching television and drifting off to sleep, Kling knowing he was due back in the squadroom at eight tomorrow, Sharyn knowing her day would start at about the same time in her office at 24 Rankin Plaza, neither anticipating an explosion, each surprised when it came. A panel of talking heads was offering its collective opinion on the war, the election, the wedding, the crash, the trial, the disaster, the game, the whatever because in America, it wasn’t enough merely to present the news, you then had to have half a dozen commentators parading their thoughts on what the news had just been all about. Over the background din, Kling was telling Sharyn there’d been an extraordinary number of people informing on other people in this case they’d just wrapped, a veritable chorus of rats singing to whoever would listen, when all at once a blond woman on the panel said something about the â€Å"so-called blue wall of silence,† and Sharyn said, â€Å"Shhh,† and someone else on the panel, a black man, shouted that the blue wall of silence wouldn’t be holding in the Milagros case if the victim had been white, and someone else, a white man, shouted, â€Å"This poor victim you’re talking about is a murdererl† and Kling said, â€Å"Milagros is one of the guys I mean,† and Sharyn said â€Å"Shhh† again, when all he’d wanted to say was that Hector Milagros had been given up by Maxie Blaine who’d been given up by Betty Young in a case virtually defined by perpetual snitchery. â€Å"You don’t know whether those men who went in there were white or black!† someone on the panel shouted. â€Å"You don’t even know if they were actually copsl† someone else shouted. â€Å"They were cops and they were whitel† â€Å"I’ll bet they were,† someone else said, but the voice wasn’t coming from the television set, it was coming from the pillow next to Kling’s. He turned to look at her. The blonde on television very calmly said, â€Å"I do not believe that any police officer in this city would maintain silence in the face of such a brutal beating. The police . . .† â€Å"Oh, come off it,† Sharyn said. â€Å". . . simply don’t know who went in there, that’s all. If they knew . . .† On the television set, the black man said, â€Å"The guy who let them in knows.† â€Å"Every cop in this city knows,† Sharyn said. â€Å"I don’t,† Kling said. And now there was a veritable Babel of voices pouring from the television set in a deluge of conflicting invective that rose higher and higher in volume and passion. â€Å"Instead of maintaining their ridiculous posture of. . .† â€Å"There are black cops, too, you know. I don’t see any of them . . .† â€Å"Would you come forward if †¦ ?† â€Å"You’re asking them to be rats.† â€Å"It’s not informing if the person †¦Ã¢â‚¬  â€Å"Milagros was in custody!† â€Å"He’s a criminal!† â€Å"So are the cops who beat him up!† â€Å"A murderer!† â€Å". . . almost killed him!† â€Å"He’s blackl† â€Å"Here we go,† Kling said. â€Å"That’s why they beat him up!† â€Å"Hang on, honey,† Sharyn said. Together, they huddled against the angry voices. At last, Kling said, â€Å"Wanna dance?† How to cite The Last Dance Chapter Ten, Essay examples

Strong evidence Essay Example

Strong evidence Paper One definition of knowledge is true belief based on strong evidence. What makes evidence strong enough and how can this limit be established? The Oxford Dictionary states evidence as Anything that gives people reason to believe in something . This is however incorrect, as one can provide strong evidence and not change peoples beliefs, if their belief is based on something else. Equally, one can believe in something without substantial evidence (for example God). In this essay however, we are focussing on strength of evidence. Concentrating on religion, mathematics, science and history, we will try to understand how we can measure strength of evidence in each case, and then conclude upon whether there is a universal measure of strength of evidence, or whether strength depends upon the area to which it is applicable.Religion is by definition true belief in something. From an atheists point of view, much of the evidence that proves the existence of higher beings has links that are tenuous at best. For example, the Bible speaks of the ten plagues. These appear to be inexplicable except for the acceptance of some form of divine power. We will write a custom essay sample on Strong evidence specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Strong evidence specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Strong evidence specifically for you FOR ONLY $16.38 $13.9/page Hire Writer However, modern science is now showing that these events may have been caused by something other than the presence of a god, and can be explained as acts of nature the eruption of nearby Mount Santorini would explain all the ten plagues, and also how Moses crossed the sea, which was not in fact the Red Sea, but the Reed Sea the result of a mistranslation from Hebrew . It is problems like this that many would say disprove religion. The problem we face is that religion is immaterial, therefore there is nothing to test, and scientists are only able to test things so that they may disprove them. Does this mean that religion cannot be knowledge, as there is no testable evidence? Is it not a purely scientific view to say that all evidence must be testable by scientific means? Many religious people believe there is evidence of the existence of higher beings in events that are considered miraculous, such as the sudden healing of an ill person thought to be beyond hope, which medical science cannot explain. Others would argue however that there are many natural phenomena which modern science cannot explain but we have evidence of, such as spontaneous human combustion the process by which people catch fire without source of ignition, and burn at temperatures high enough to burn bones, but do not damage their surroundings. Therefore though current technology may not be able to pinpoint the reason why miracles happen, future knowledge may be able to. Indeed, some people have proved the resurrection of Jesus through the principles of law the six disciples who were witness to his resurrection all testified to it, without any reason to lie. Maths is what many would call absolute knowledge, in that it cannot be disproved once proved. However, this is because maths is an abstract concept 2+2 equals 4 because this is one of the basic premises upon all of which math is based, you cannot therefore disprove it. Mathematical paradigms are established through proofs, which are a series of logical arguments. While evidence can be used to show existence of paradigms, it cannot prove them they must be shown as true using already established rules and deductive logic (the process of taking already established ideas and building upon them). In the case of Fermats last theorem, numerical evidence was given to show it was probably true, as even with computer aid, no numbers could be found to disprove the theory. This however did not constitute a proof, and it took over 300 years from the invention of the theory to its final proof. Therefore in mathematics, knowledge is not based on evidence, it is based on proof. This does not mean we cannot look at strength of evidence in mathematics. Evidence is used to show theories which might be true, and in this case, strength of evidence is purely based on amount the more examples you can give where the theory works, the stronger the evidence.Science is in essence a series of ideas and disproofs one has an idea, one shows it fits certain patterns, and that idea holds true until it is disproved. It is therefore unlike mathematics in that proven theories can later be disproved. It is also important to note that theories may be used which are known to be incorrect, but work for many examples. This is due to a lack of a better theory to explain behaviour. For example, the model of the atom with its orbiting electrons cannot work, as a moving charge would produce a magnetic field, taking away the electrons energy and eventually stopping it. This does not happen, however we stick to this model as evidence shows it works with most cases.